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Дизайн взрослой женской героини 29 лет для готического кукольного мультфильма в духе Тима Бёртона и «Трупа невесты», полноценная объёмная кукла для stop-motion, тактильная поверхность окрашенного силикона, настоящая миниатюрная одежда.

Бледная фарфоровая кожа с холодным лавандовым подтоном, вытянутое красивое лицо, высокие острые скулы, большие миндалевидные серо-зелёные глаза с тяжёлыми веками, тонкие изогнутые брови, маленькие тёмно-сливовые губы, длинные прямые чёрные волосы с центральным пробором.

Очень стройное жилистое тело, длинные ноги, узкая талия, широкая грудная клетка и выраженный бюст, стилизованные, но согласованные пропорции.

На ней угольно-твидовый жакет для верховой езды в духе Jean Paul Gaultier: двубортный крой, острые пиковые лацканы, структурные плечи, длинные фалды, подкладка вывернута наружу, видны светлая бортовая прокладка и ручные стежки. Жакет распахнут, отдельный скульптурный нагрудник из того же твида полностью закрывает грудь, живот открыт. Чёрные структурные сапоги до бедра с наружной кордовой шнуровкой.

Полный рост строго анфас, обе стопы на полу, руки слегка отведены от тела, кисти раскрыты и хорошо различимы.

Однотонный дымчато-серый фон, мягкий студийный свет, чёткий контур всей фигуры, фактурная кукольная поверхность, лёгкая тень под ногами, один персонаж в кадре, без надписей.

Дизайн взрослого мужского героя 32 лет ( в стиле изображения 2)

для готического кукольного мультфильма с мрачной сказочной атмосферой, вытянутыми выразительными пропорциями, немного абсурдным цирковым театральным вайбом и эстетикой ручной stop-motion анимации. Используй загруженную фотографию лица как точный референс личности: сохрани узнаваемые черты, форму лица, глаза, нос, губы, линию подбородка, оттенок кожи, возраст и естественную мимику. Лицо должно оставаться лицом реального человека, интегрированным в стилизованную кукольную фигуру.

Полноценная объёмная кукла для stop-motion, тактильная поверхность окрашенного силикона и матового полимерного материала, настоящая миниатюрная одежда, видимые ручные швы, слегка несовершенная ручная работа, тонкая фактура ткани, шарнирная кукольная пластика.

Мужчина высокий, и жилистый, с длинными руками, длинными ногами и немного увеличенными ладонями. Пропорции стилизованные, вытянутые и театральные, но анатомически цельные и выразительные.

На нём рабочая одежда французского рабочего 1920-х годов с элементами старого циркового костюма. Основной предмет — выцветшая индиго-синяя рабочая куртка из плотного хлопкового канваса, укороченная до верхней части бёдер, с высоким стоячим воротником, широкими округлыми плечами, длинными рукавами и большими накладными карманами на груди и бёдрах. Куртка застёгивается на ряд крупных металлических пуговиц, покрытых патиной. На ткани видны потёртости, заломы, следы машинного масла, выцветшие участки и контрастные ручные штопки. Края слегка неровные, на локтях — заплатки из серо-коричневой ткани.

Под курткой — кремовая хлопковая рубашка с широким воротником, мягко присборенными рукавами и высоким закрытым горлом. Рубашка заправлена в высокие рабочие брюки из угольно-серой шерсти с тонкой вертикальной полоской. Брюки широкие в верхней части, с высокой талией, двумя складками спереди, боковыми карманами и слегка зауженными штанинами. На одном колене — крупная тканевая заплата, на другом — видимые декоративные стежки контрастной тёмно-красной нитью.

Поверх рубашки надет узкий кожаный жилет цвета старого коричневого дерева, напоминающий одновременно рабочую экипировку механика и костюм циркового кулисного рабочего. Жилет с асимметричной застёжкой, маленькими металлическими кольцами, ремешками и миниатюрными карманами для инструментов. На груди — небольшой вышитый знак в виде потускневшей звезды и полумесяца, выполненный вручную, без текста и букв.

На шее — тонкий чёрный галстук-бант, слегка смещённый в сторону, поверх него маленький белый цирковой воротник из жёсткого хлопка с неровными зубчатыми краями. На одном плече — короткая декоративная накидка из выцветшего бордового бархата с потёртой золотистой тесьмой, напоминающая фрагмент старого костюма конферансье. На внутренней стороне накидки видна полосатая подкладка в выцветших красно-кремовых тонах.

На голове — маленькая потёртая кепка рабочего с коротким козырьком, сшитая из серо-синего твида, слегка перекошенная набок. К кепке прикреплена тонкая выцветшая лента и маленькая металлическая цирковая звезда. Прическа бритая голова,

На ногах — тяжёлые кожаные рабочие ботинки до середины икры, тёмно-коричневые, с металлическими носами, широкими шнурками, потёртой кожей и толстой рифлёной подошвой. Поверх брюк — короткие серо-чёрные гетры с красными вертикальными полосами, напоминающими старую цирковую униформу. На ботинках следы пыли, масла и времени.

Добавь несколько небольших театральных деталей: карманные часы на цепочке, свисающие из жилета, старый латунный свисток, тонкие перчатки без пальцев из потёртой кожи, маленький букетик засушенных трав, прикреплённый к петлице. Все аксессуары должны выглядеть функциональными, состаренными и сделанными вручную.

Выражение лица задумчивое, немного печальное и загадочное, взгляд направлен прямо в камеру. Лицо слегка бледное, с холодным серо-голубым подтоном, но без сильного грима. Под глазами лёгкие тени, губы естественного приглушённого цвета. Не превращай персонажа в монстра: он должен быть странным, трогательным, элегантным и немного нелепым, как герой старого готического мультфильма.

Полный рост строго анфас, обе стопы полностью стоят на полу, ноги слегка расставлены, руки немного отведены от тела, кисти раскрыты и хорошо различимы, пальцы разделены. Вся фигура полностью помещается в кадр. Один персонаж, симметричная фронтальная композиция, чёткий контур силуэта.

Фон — однотонный дымчато-серый студийный фон с едва заметной фактурой старой театральной декорации. Добавь лёгкую тень под ногами и очень слабый туманный ореол вокруг силуэта.

Драматичный рваный свет: жёсткие неровные полосы света проходят через прорези театральной занавеси, создавая резкие пятна на лице, куртке и брюках; часть фигуры погружена в глубокую мягкую тень. Узкий холодный контровой свет подчёркивает край кепки, плечо, пальцы и складки одежды. Красновато-бордовый отражённый свет слегка окрашивает внутреннюю сторону накидки и одну половину силуэта. Свет должен быть выразительным и театральным, но лицо остаётся хорошо узнаваемым.

Тактильная поверхность куклы, фактура силикона, настоящая миниатюрная одежда, ручные стежки, шерсть, хлопок, канвас, состаренная кожа, патинированный металл, лёгкая плёночная зернистость, мрачная сказочная атмосфера, причудливая готика, цирковой драматизм, ручная stop-motion эстетика, высокая детализация, вертикальный формат 4:5. Один персонаж в кадре, без надписей, без логотипов, без второго лица, без лишних конечностей, без деформации рук, без закрытых кистей, без современной одежды, без оружия, без крови, без чрезмерного хоррор-грима, без изменения лица с загруженной фотографии.

Ten timed shots with hard cuts between shots.

Reference: Use Image 1 <<<image_1>>> as the identity, face, hair, costume and puppet material reference for the heroine. Image 1 controls her appearance. The text controls action, camera, environment, monsters and mood.

Style: Stop-motion animated puppet film shot on a handmade miniature set. Animated on twos at 12 frames per second with slight frame-to-frame jitter and stiff wire-armature poses. Visible textures: felt wool, clay skin, painted wood, cotton-wool dust, tiny fingerprints on surfaces. Gothic whimsical design with crooked elongated shapes, spiral patterns and black-and-white stripes. Color palette: charcoal, slate blue-grey, desaturated teal, sickly violet-green glow. The only warm color is a single yellow bulb. Moody hard-edged light, long soft shadows, shallow depth of field, miniature tilt-shift scale.

Heroine anchor: The stop-motion puppet girl from Image 1 keeps the same pale clay face, large pale green eyes, long straight black center-parted hair, charcoal wool coat with sharp wide shoulders and cream lining, and black lace-up thigh-high boots in every shot. Her proportions are tall and thin. Her face, hair, costume and silhouette stay identical throughout. Her boots stay in contact with the ground in every walking and running step.

Attic set: A crooked miniature attic with slanted dark wooden beams, white dusty sheets hanging from the rafters, stacked old trunks, and a warped wooden floor. A tall black crooked wardrobe with twisted spiral-carved handles stands against the left wall. A single bare yellow bulb with a pull chain hangs from the ceiling.

Other dimension set: A bleak miniature landscape of cracked grey-lavender ground, low hills, twisted spiral dead trees, crooked stone shapes, thin low fog, and a purple-green sky with slowly swirling spiral clouds. One huge hollow dead tree with a spiral swirl inside its hollow stands on the left side of the landscape.

Monsters: Exactly three types, handmade puppets with glowing yellow-green eyes. Type 1: tall thin stitched ragdoll creature with long dangling arms and black button eyes. Type 2: round fuzzy one-eyed blob with a wide mouth full of crooked teeth. Type 3: spindly spider-legged creature with a long pointed face. Monsters always stay on the right side of the frame, behind the heroine.

Shot 1 (0-2s): Close-up, eye-level, 85mm lens, locked-off camera. The attic is almost black. The heroine's face fills the frame, centered around x=40%, occupying 70% of frame height, turned slightly toward the left. A pull chain hangs at the right edge around x=75%. Her right hand pulls the chain. The bulb flickers twice in stop-motion steps, then glows steady. Warm yellow light reveals her face. Her pupils contract and her eyes shift toward the left, toward something off-screen.

Shot 2 (2-4s): Wide shot, eye-level, 35mm lens, slow 10% dolly-in. The black wardrobe stands in the left third, centered around x=22%, in the midground. The heroine enters from the right third at x=75% and walks screen-left in four stiff stop-motion steps. Her coat tails sway. She stops at x=40% in front of the wardrobe.

Shot 3 (4-5s): Extreme close-up insert, 100mm macro lens, locked-off camera. The heroine's right hand in the center of the frame grips a twisted spiral wardrobe handle. Her clay fingers tighten slowly. The handle gives a tiny creak.

Shot 4 (5-7.5s): Medium shot, eye-level, 35mm lens, locked-off camera. The wardrobe is large in the left half, centered around x=30%. The heroine stands in the right half, centered around x=60%, facing screen-left, both feet on the floor. She opens both doors. Inside is a swirling violet-green spiral void. A strong wind pulls her hair and coat toward the wardrobe. Her boots slide on the floorboards. Her fingers slip from the door edge. She is pulled headfirst into the spiral. The doors swing shut.

Shot 5 (7.5-10s): Medium-wide shot, slightly high angle, 35mm lens, locked-off camera. The other dimension. The heroine falls from the top of the frame at x=50% and lands on her hands and knees on the cracked ground. A puff of grey cotton-wool dust rises. She stands up in stiff stop-motion steps. Both hands brush the dust from her coat. She coughs once.

Shot 6 (10-12.5s): Over-the-shoulder wide shot, eye-level, 35mm lens, very slow 5% dolly-in. The heroine stands in the left third, centered around x=28%, in the foreground, in three-quarter profile, facing screen-right. Her eyes are wide and her mouth is slightly open. The right two-thirds of the frame shows a hillside where about a dozen monsters of the three types stand and crouch. Their glowing eyes open one by one. Their mouths open with crooked teeth. They take a slow step forward. She holds her position. Only her eyes, breathing and hair move.

Shot 7 (12.5-14s): Medium shot, eye-level, 35mm lens, locked-off camera. The heroine stands at x=62%, facing screen-right toward the monsters. She spins around in two stiff stop-motion steps, now facing screen-left, and starts to sprint toward screen-left. Her coat tails snap behind her.

Shot 8 (14-18s): Wide lateral tracking shot, eye-level, 35mm lens, camera moves screen-left at the heroine's speed. The heroine runs screen-left, kept around x=62% so open space remains ahead of her on the left. Monsters flood in from the right edge and chase her. The tall ragdoll monster stretches one long arm toward her coat tails and misses. A round fuzzy blob rolls fast along the ground behind her. She leaps over a crooked root. At the end of the shot, a very small round fuzzy one-eyed blob, the size of an apple, hops from the ground onto her coat collar behind her shoulder, hidden by her black hair. She does not notice it. Dust kicks up behind her.

Shot 9 (18-19.5s): Low angle, wide lens, camera in front of the heroine moving backward as she runs toward camera. The huge hollow dead tree on the left side of the frame, with a violet-green spiral swirl in its hollow. The monsters are close behind her on the right. The heroine dives headfirst into the tree hollow. The spiral swallows her.

Shot 10 (19.5-25s): The attic. Wide shot, eye-level, 35mm lens, locked-off camera. The wardrobe stands in the left third at x=30%. The wardrobe doors burst open and the heroine tumbles out onto the wooden floor, landing on her back at x=55%. With her right boot she kicks both wardrobe doors shut. The wardrobe goes still. A short silence. She lies still and breathes out. Cut to a close-up, eye-level, 85mm lens, slow 5% dolly-in: the heroine sits against the wardrobe, centered around x=65%, eyes closed, a small relieved exhale. The yellow bulb flickers once. The tiny round fuzzy one-eyed blob slowly peeks out from behind her black hair on her left shoulder, in the left third of the frame at x=35%. It blinks its single eye, shows a tiny crooked-toothed smile, and waves one tiny paw. Her eyes open. She slowly turns her head toward it. A very small smile appears on her face.

Environment motion: floating dust, swaying hanging sheets, drifting fog, kicked-up dust, swirling clouds, a swinging bulb in the attic.

Audio: wooden creaks, a single chain click, a low wind whoosh in shot 4, soft thud and dust puff in shot 5, low sub-bass drone and wet growls in shot 6, fast stop-motion footsteps and clicking monster growls in shots 7 and 8, a swirling whoosh in shot 9, a thump and wardrobe door slam in shot 10, then silence, a tiny squeaky giggle from the blob, faint music-box melody that turns frantic during the chase and soft and playful at the end. No dialogue.

Continuity: In the other dimension the heroine moves toward screen-left and the monsters stay on the right. The heroine's design, coat, hair and boots stay identical in all shots. The tiny blob is the same small fuzzy one-eyed creature from shot 8 to shot 10.

Final frame: Close-up of the heroine's face in the right third with a small smile, and the tiny fuzzy one-eyed blob waving on her shoulder in the left third. Warm yellow bulb light, soft dust in the air.

Six timed shots with hard cuts between shots.

References: Use Image 1 <<<image_1>>> as the identity, face, hair, costume and puppet material reference for the heroine. Use Image 2 @ as the identity, face and costume reference for the hero, translated into the same handmade stop-motion puppet material as the heroine (clay skin, felt and wool fabric, painted leather). Identity from Image 1 takes priority for the heroine. Identity from Image 2 takes priority for the hero. The text controls action, camera, environment and lighting.

Style: Stop-motion animated puppet film shot on a handmade miniature set. Animated on twos at 12 frames per second with slight frame-to-frame jitter and stiff wire-armature poses. Visible textures: felt wool, clay skin, painted wood, cotton-wool clouds, tiny fingerprints on surfaces. Gothic whimsical design with crooked elongated shapes, spiral patterns and black-and-white stripes. Color palette: charcoal, slate blue-grey, desaturated teal, with a pale silver-cream moon and a few small warm yellow windows. Moody hard-edged light, long soft shadows, shallow depth of field, miniature tilt-shift scale.

Heroine anchor: The stop-motion puppet girl from Image 1 <<<image_1>>> keeps the same pale clay face, large pale blue eyes, long straight black center-parted hair, charcoal wool coat with sharp wide shoulders and cream lining, and black lace-up thigh-high boots in every shot. Her proportions are tall and thin. Her face, hair, costume and silhouette stay identical throughout. Her boots stay in contact with the roof in every running step. A tiny round fuzzy one-eyed blob, the size of an apple, sits hidden on her coat collar behind her shoulder, covered by her black hair.

Hero anchor: The stop-motion puppet man from Image 2 <<<image_2>>> keeps the same thin pale face, flat tweed cap with a small gold star, worn blue work jacket with brass buttons, brown leather vest with gold embroidered stars and a crescent moon, black bow tie, burgundy velvet cape piece with gold braid draped over his right shoulder, fingerless knit gloves, patched dark trousers with rolled cuffs, and worn brown boots in every shot. His proportions are tall and thin. His cap, vest and cape piece stay identical throughout.

Cat: A skinny black-and-white striped stitched cat puppet with big black button eyes and a long spiral-shaped tail. It appears only in shots 3 and 4.

Set: A crooked miniature rooftop in a gothic city at dusk. Dark slate roof tiles on a steep slanted roof, a crooked ridge line, tall twisted brick chimneys with spiral smoke, and a small round attic window on the right side of the roof. The sky is dark blue-grey with swirling cotton-wool clouds.

Shot 1 (0-2s): Medium shot, low angle, 35mm lens, locked-off camera. The small round attic window is in the right third, centered around x=70%, in the lower half of the frame. It swings open. The heroine climbs out headfirst, then pulls out her boots, and stands up on the slanted roof tiles. Her coat tails flutter in the wind. She looks toward the left of the frame.

Shot 2 (2-5s): Wide lateral tracking shot, eye-level, 35mm lens, camera moves screen-left at the heroine's speed. The heroine runs screen-left along the crooked roof ridge, kept around x=60% with open space ahead of her on the left. Chimneys pass behind her. Far ahead at the left edge, around x=15%, the hero stands small in the midground beside a chimney, in silhouette, facing screen-right toward her. She does not notice him. Her coat tails snap behind her. Her boots touch the tiles at every step.

Shot 3 (5-6.5s): Close-up at leg level, low angle, 35mm lens, locked-off camera. The heroine's boots run on the tiles in the center of the frame. The striped cat dashes across the frame from screen-left to screen-right, passing between her legs. Her right boot catches the cat. She tips forward toward screen-left.

Shot 4 (6.5-8.5s): Medium shot, eye-level, 35mm lens, locked-off camera. The hero stands in the left third, centered around x=35%, feet planted wide on the tiles. The heroine falls forward into frame from the right. He catches her in both arms in a cradle hold, her back across his right arm, her head near his left shoulder. Her hair and coat swing and settle. A thin pale glow starts to appear on the horizon behind them.

Shot 5 (8.5-11.5s): Close-up two-shot, eye-level, 85mm lens, very slow 5% dolly-in. The hero is in the left side of the frame, centered around x=38%, facing screen-right. The heroine is in the right side, centered around x=62%, facing screen-left. They look into each other's eyes. A huge full moon, pale silver-cream with hand-sculpted crater texture, rises behind them in the center of the frame, around x=50% and y=30%, occupying 45% of frame width. The moon creates a strong silver rim light on their hair, cap, shoulders and coat edges. Their faces are lit softly from the front by a low blue fill. They lean toward each other and their lips meet in a soft kiss. The tiny blob peeks from behind her hair, covers its one eye with a tiny paw, and hides again.

Shot 6 (11.5-15s): Vertical crane-up shot, wide lens, camera rises straight up and pulls back while keeping the couple centered. The couple stands in the lower third of the frame, centered around x=50%, small, in silhouette, still holding each other. The moon stays in the upper third. Below the moon the camera reveals a dark gloomy city: crooked tall narrow buildings, twisted spires, spiral chimneys with smoke, a clock tower, foggy streets, and tiny warm yellow windows. A few paper bats cross the moon from right to left.

Environment motion: wind in coat tails and hair, drifting cotton-wool clouds, rising chimney smoke, slowly rising moon, drifting fog in the city.

Audio: wind over rooftops, clicking roof tiles, fast stop-motion footsteps in shot 2, a single short cat meow in shot 3, a soft breath and fabric rustle in shot 4, a hush and a gentle celesta melody rising in shot 5, a soft choir swell and a tiny squeak from the blob in shot 5, and the full music-box melody in shot 6 with distant city bells. No dialogue.

Continuity: The heroine runs toward screen-left. The cat crosses toward screen-right. The hero stays on the left of the heroine from shot 4 to shot 6. The heroine's and the hero's designs stay identical in every shot. The moon grows from a pale glow in shot 4 to a huge full moon in shots 5 and 6.

Final frame: The couple in silhouette in the lower third of the vertical frame, holding each other on the rooftop. A huge silver moon in the upper third. A dark gothic city with a few warm yellow windows spreads between them.